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Anthropology Professor, Dr. David A. Kideckel, Premieres Video Documentary
 

The photo (above) was taken in the early 1900s at an unnamed mine in the Jiu Valley, located in Hunedoara County, Romania. At the time the photo was taken, the area was part of the Austro-Hungarian Empire.Dr. David A. Kideckel, professor of anthropology, premiered a video documentary entitled “Days of the Miners: Life and Death of a Working-Class Culture” that he filmed, edited, and narrated with the collaboration of Alin Rus, an anthropologist and former miner.

 

The documentary focuses on Romania’s Jiu Valley, which is quite similar to the coal regions throughout Europe and the U.S. Since the end of socialism in 1989, but especially since 1997, the Valley mining industry has been greatly cut-back, leaving many mining families in a dire economic situation. At the same time, there have been an overwhelming number of serious mine accidents and fatalities. Jiu Valley miners are suffering and interpret their current labor and economic difficulties as an attack on their physical health and well-being. The film seeks to capture and place this pain in the context of the history of the Valley coal industry.

 

The film begins at a memorial service for 14 miners killed in an explosion at the Vulcan mine in 2001. The film then presents a series of interviews with individuals affected by the current labor contract buy-outs and large-scale unemployment. After presenting the current situation, the film traces the history of the region’s mining industry and the mining way of life from their early days in the middle of the nineteenth century, through socialism, to the present day.

 

Kideckel follows a group of miners through a typical day of work in the mines. He emphasizes the cohesion of miners, the difficulty and dangers of mine labor, and the miners’ courage. This segment closes with a detailed description of the Vulcan mine accident, and the horrible fate that befell the miners.

 

Kideckel makes clear that life is problematic for mining families. Thus, the last part of the film considers the present difficulties as seen through the eyes of miners, mine pensioners, and mine wives and widows. The portraits of the present are uniformly problematic. People see their lives as a challenge but manage to take meaning and joy wherever they can, which is the reason that the film closes with scenes of neighborhood life, youthful partying, and communal celebration, despite the danger, death, and economic decline in the Jiu Valley.

 

— Sheila Guillaume

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